Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation   Related Paintings of Domenico Ghirlandaio :. | Christ in Heaven with Four Saints and a Donor | Supposed self portrait in Adoration of the Magi | Nativity 1 | The Virgin and Child (mk05) | Portrait of a Lady |
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Peter Parler
German Gothic Era Sculptor, 1330-1399,was a German architect, best-known for building Saint Vitus Cathedral and Charles Bridge in Prague, where he lived from about 1356. His father, master builder Heinrich Parler (the name deriving from "parlerius", speaker and head of the masons), had moved to Schwäbisch Gm??nd from Cologne, to lead the reconstruction works of the Holy Cross parish church. Members of the large Parler family worked in construction works around all of Europe. Peter Parler became the master mason of Saint Vitus Cathedral in 1352, after the death of its original architect, Matthias of Arras. Apart from the cathedral, he was the main designer of the New Town of Prague and built Charles Bridge and its towers. In the Royal Palace of Prague Castle, Parler built the All Saints' Chapel. After the fire of 1541 it was redecorated in the Baroque style. He was apparently the architect of the Church of Our Lady (Frauenkirche) built in the market square of Nuremberg, to replace the synagogue torn down in the pogrom of 1349 following the plague. Between 1360-78 Parler built the chancel of the St. Bartholomew church in Kolin. He died in Prague in 1399, and was buried in the St. Vitus cathedral. His work was continued by his sons Wenzel and Johann.
William Sharp
British 1749-1824,was an English line-engraver born in London. He was originally apprenticed to what is called a bright engraver, and practised as a writing engraver, but gradually became inspired by the higher branches of the engraver's art. Among his earlier plates are some illustrations, after Stothard, for the Novelists' Magazine. He engraved the "Doctors Disputing on the Immaculateness of the Virgin" and the "Ecce Homo" of Guido Reni, the "St Cecilia" of Domenichino, the "Virgin and Child" of Dolci, and the portrait of John Hunter of Sir Joshua Reynolds. His style of eta-graving is thoroughly masterly and original, excellent in its play of line and rendering of half-tints and of "colour." He died at Chiswick on the 25th of July 1824. In his youth, owing to his hotly expressed adherence to the politics of Paine and Horne Tooke, he was examined by the privy council on a charge of treason. Mesmer and Brothers found in Sharp a stanch believer; and for long he maintained Joanna Southcott at his own expense. As an engraver he achieved a European reputation, and at the time of his death he enjoyed the honour of being a member of the Imperial Academy of Vienna and of the Royal Academy of Munich.
Gwen John
Welsh 1876-1939 Gwen John was born in Haverfordwest, Wales, the second of four children of Edwin William John and his wife Augusta (nee Smith). Edwin John was a solicitor whose dour temperament cast a chill over his family, and Augusta was often absent from the children due to ill health, leaving her two sisters??stern Salvationists??to take her place in the household. Despite the considerable tension in the family (who became known as "those turbulent Johns") the children's interest in literature and art was encouraged. Following the mother??s premature death in 1884, the family moved to Tenby in Pembrokeshire, Wales. Although she painted and drew from an early age, her earliest surviving work dates from her nineteenth year. From 1895?C98, she studied at the Slade School of Art, where her younger brother, Augustus John, had begun his studies in 1894. During this period they shared living quarters, and further reduced their expenses by subsisting on a diet of nuts and fruit. Even as a student, Augustus' brilliant draughtsmanship and personal glamour made him a celebrity, and stood in contrast to Gwen's quieter gifts and reticent demeanour. While he greatly admired her art, Augustus offered her advice which she ignored; he urged her to take a "more athletic attitude to life", and cautioned her against what he saw as the "unbecoming and unhygienic negligence" of her mode of living, but her entire life was marked by a disregard for her physical well-being. In 1898 she made her first visit to Paris with two friends from the Slade, and while there she studied under James McNeill Whistler at the Academie Carmen. She returned to London in 1899, and spent the next four years in austere circumstances. When she exhibited her work for the first time in 1900, at the New English Art Club (NEAC), her address was a derelict building where she was living illegally.